Anyway, it seems like the poor reception of Damsels unmoored Stillman. First, there was the Amazon TV pilot that went nowhere, though according to his Twitter, it's not dead and Amazon is just waiting for him to actually write the rest. Now, there is Love and Friendship, which is very clever and witty, but doesn't have any clear point. Or the point is just that Whit Stillman loves Jane Austen and wants everyone to know it, and he demonstrates his love by filling out one of her unfinished novels instead of adapting Austen's style and intentions to the social world of the present, as he had been doing before.
The filling is mostly good, with some dialogue that seems anachronistic (for example, at some point, one of the characters refers to a relationship "dynamic" - probably not an eighteenth-century usage), but there's something a little narrow and academic about the project. It doesn't have a broader argument or any real connection to the present. There is a kind of Machiavellian moral (or anti-moral) point within the story, that those who are always abuse friendship probably should not rely on the sincerity of their friends, and the manipulators are the ones who least expect (and so are most likely) to be manipulated themselves. There are worse things to make than a clever fable in period costume, but also better things, like Stillman's other movies.